Cultural heritage of Pakistan

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   Pakistani society is largely hierarchical, with high regard for traditional Islamic values, although urban families have grown into a nuclear family system because of the socio-economic constraints imposed by the traditional joint family system. Recent decades have seen the emergence of a middle class in cities like Karachi, Lahore, Islamabad, Rawalpindi, Hyderabad, Faisalabad, Multan and Peshawar (now numbering at 30 million, with an average annual income of US$10,000, with another 17 million belonging to the upper and upper-middle classes that wish to move in a more centrist direction, as opposed to the northwestern regions bordering Afghanistan that remain highly conservative and dominated by centuries-old regional tribal customs. Increasing globalization has resulted in ranking 46th on the A.T. Kearney/FP Globalization Index. The variety of Pakistani music ranges from diverse provincial folk music and traditional styles such as Qawwali and Ghazal Gayaki to modern forms fusing traditional and western music, such as the synchronization of Qawwali and western music by the world renowned Nusrat Fateh Ali Khan. In addition Pakistan is home to many famous folk singers such as the late Alam Lohar, who is also well known in Indian Punjab. However, majority of Pakistanis listen to Indian music produced by Bollywood and other Indian film industries. The arrival of Afghan refugees in the western provinces has rekindled Pashto and Persian music and established Peshawar as a hub for Afghan musicians and a distribution center for Afghan music abroad. State-owned Pakistan Television Corporation (PTV) and Pakistan Broadcasting Corporation were the dominant media outlets, but there are now numerous private television channels. Various American, European, and Asian television channels and films are available to the majority of the Pakistani population via private television networks, cable, and satellite television (43 million Pakistanis have satellite television). There are also small indigenous film industries based in Lahore and Peshawar (often referred to as Lollywood). And while Bollywood films have been banned from being played in public cinemas since 1965 they have remained in popular culture. The architecture of the areas now constituting Pakistan can be designated to four distinct periods pre-Islamic, Islamic, colonial and post-colonial. With the beginning of the Indus civilization around the middle of the 3rd millennium B.C., an advanced urban culture developed for the first time in the region, with large structural facilities, some of which survive to this day. Mohenjo Daro, Harappa and Kot Diji belong to the pre-Islamic era settlements. The rise of Buddhism and the Persian and Greek influence led to the development of the Greco-Buddhist style, starting from the 1st century CE. The high point of this era was reached with the culmination of the Gandhara style. Sir Muhammad Iqbal was a key leader in the Pakistan Movement. He is also a national poet of Pakistan. An example of Buddhist architecture is the ruins of the Buddhist monastery Takht-i-Bahi in the northwest province. The arrival of Islam in today's Pakistan meant a sudden end of Buddhist architecture. However, a smooth transition to predominantly picture less Islamic architecture occurred. The most important of the few completely discovered buildings of Persian style is the tomb of the Shah Rukn-I-Alam in Multan. During the Mughal era design elements of Islamic-Persian architecture were fused with and often produced playful forms of the Hindustani art. Lahore, occasional residence of Mughal rulers, exhibits a multiplicity of important buildings from the empire, among them the Badshahi mosque, the fortress of Lahore with the famous Alamgiri Gate, the colorful, still strongly Persian seeming Wazir Khan Mosque as well as numerous other mosques and mausoleums. Also the Shahjahan Mosque of Thatta in Sindh originates from the epoch of the Mughals. In the British colonial period, predominantly functional buildings of the Indo-European representative style developed from a mixture of European and Indian-Islamic components. Post-colonial national identity is expressed in modern structures like the Faisal Mosque, the Minar-e-Pakistan and the Mazar-e-Quaid. The literature of Pakistan covers the literatures of languages spread throughout the country, namely Urdu, Sindhi, Punjabi, Pushto, Baluchi as well as English and Persian as well. Prior to the 19th century, the literature mainly consisted of lyric poetry and religious, mystical and popular materials. During the colonial age the native literary figures, under the influence of the western literature of realism, took up increasingly different topics and telling forms. Today, short stories enjoy a special popularity. The national poet of Pakistan, Allama Muhammad Iqbal, suggested the creation of a separate homeland for the Muslims of India. However, Iqbal had also wrote the Tarana-e-Hind which stated the belief of a strong united India. His book The Reconstruction of Religious Thought in Islam is a major work of modern Islamic philosophy. The most well-known representative of the contemporary Urdu literature of Pakistan is Faiz Ahmed Faiz. Sufi poets Shah Abdul Latif, Bulleh Shah, Mian Muhammad Bakhsh and Khawaja Farid are also very popular in Pakistan. Mirza Kalich Beg has been termed the father of modern Sindhi prose.

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